Alfred Hitchcock’s 1963 repulsive The Birds was a film most loved by German writers.
Today, Monday 18 July, is the 112th birthday celebration of Oscar Sala, an incredibly renowned electronic music writer and physicist most popular for bringing electronic music to the universe of TV, film and radio.
To pay homage to the famed author, Sala is being remembered with her very own special Google Doodle – it’s all you want to know about the alleged “Small Time Symphony.”
Sala was a twentieth-century German physicist, writer and pioneer of electronic music who played an instrument called the trautonium, a precursor to the synthesizer.
He came into the world on 18 July 1910 in Greece, Germany, and was quickly immersed in the musical universe – his mother, Annemarie, filled in as a singer and his father, Paul, with melodic gifts of his own. He was an ophthalmologist. ,
As a youth, Sala focused on piano and organ and, when he was 14, was composing sonatas and melodies for violin and piano. Sala performed exemplary piano shows as a teenager.
In 1929, he moved to Berlin where he sought his gains in music by concentrating on piano and synth at the Berlin Conservatory with author and violinist Paul Hindesmith.
When he first heard the trautonium, he became concerned with it and its possible consequences. Not fully prepared to dominate the instrument and pursue it significantly – an assurance that prompted his examinations in physics and synthesis at school.
He represented considerable authority in further improvement of trautonium, focusing on physics at the University of Berlin to enhance his insights into mathematics and innate science.
After WWII, Sala promoted the combination troutonium, which consisted of two manuals and pedals. The aesthetics of the mixing trotonium were so novel that few voices were able to play together.
As well as the combination troutonium, Sala additionally produced the Quartet-Trutonium, Concert Troutonium and Volkstratonium.
In 1995, Sala gave his unique blend of trautonium to the German Museum for Contemporary Technology, and in 2000 he gave his domain to the Deutsches Museum.
During the 1940s and 50s, Sala worked with various film scores – in 1958 he set up his own studio at the film organization Mars Film in Berlin, where he produced films such as Different from You and Me (1957), Rosemary (1959) Created electronic soundtracks for films. ) and Das Indische Grabmal (1959).
Sala also provided the non-melodic soundtrack for Alfred Hitchcock’s infamous film The Birds (1963), which featured bird cries, pounding and hammering of entrances and windows with a mixed trutonium.
The valuable opportunity to work with Hitchcock came when Sala’s previous colleague, who worked at Universal Studios in Hollywood, heard that Hitchcock needed to electronically extract the bird’s voice for his film.